The aim of this essay is trying to focus, from a psychoanalytic perspective, some facts of everyday life. In this particular case and as the text is based on personal experiences, will talk about two dreams I even have related. Let us first tell
dreams (First person to avoid confusion):
1. I was in a large room with white walls, which had various musical instruments. Specifically, what he was several batteries of different colors. One of these batteries was clearly mine, while two were two others who were present: Sergio and Juan de la Oliva. Sergio is a partner
drummer I've ever heard play but simply to see their set, I conclude that he should not touch anything wrong.
Juan de la Oliva is a professional drummer fifty-something years.
The three we were playing our instruments, the " DrummerÃa " and I was noticing what others did. Then the other two stopped playing and just watched, not tested, but just listening. When I finished playing, Juan de la Oliva told me that she did nothing wrong, he could ... and I woke up.
2. I was in the bathhouse door, waiting for Virginia (a friend) came out, who had accompanied her. The campus seemed a kind of local outdoor, like a sort of club or party.
Virginia emerged from the bathroom, saying
- Well, it was the first.
- "The first what? - Asked.
not understand what he meant until I saw the nose is pointed. We walked until we reached the place where there were other friends and Violet (my girlfriend). It so happened that when we come to the site, began a performance of Afro-Brazilian batucada, which Violet and I joined in an impromptu roda. I woke up while we were still dancing to our cowbells, timbales and shakers.
analytical interpretations of these dreams may be very clear if we consider that as a drummer who I am, it is logical to dream about such things. Arguably, in both cases is a clear orientation toward a goal linked to the world percussion.
If you still have no doubt, be made clear that Juan de la Oliva is one of the people who think a great teacher and I've never had the opportunity to attend classes, and that took several years wanting to participate in this style batucada .
Thus, these two dreams can be considered as material geared to the satisfaction of desires of the id. What is less clear is whether this material can be considered unconscious, preconscious or conscious, because, despite having come to light during sleep, I find it easy to recognize why these things sleep, and I've never denied my desire of them.
Yet there is something in every dream that term to understand. In the first dream, I do not know what's Sergio also playing drums. In fact, I do not know what he is and not any other drummer I know. My relationship with does not go beyond a greeting. I guess his appearance somehow satisfy the desire, curiosity I feel for not having seen him play his instrument ever.
On the second dream, not quite understand why Virginia does the typical gesture of a person who just snorting cocaine. Guess that's all that that implies to me: Virginia is a relatively new person in my life, and meaning that can have that in my dream ever discovered drug that symbolizes the disappointment I suppose that these attitudes towards anyone.
may not have been a thorough analysis of dreams from the psychoanalytic approach, although they may be elements that are repeated, as is the world of percussion and the relationship to the world that surrounds this activity.
As analytical elements that have appeared include orientation to a goal, the satisfaction of the desire of the id and the emergence of some kind of unconscious material.
"Plato said that good
are
are content with what the bad dream came true
..."
(Sigmund Freud)
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